| Focale set | Aperture | Close focus | Front diameter | Length | Weight |
|---|---|---|---|---|---|
| 18 mm | T1.5 | 1’2″ | 114 mm | 180 mm | 2.3 kg |
| 21 mm | T1.5 | 1’2″ | 95 mm | 150 mm | 1.5 kg |
| 25 mm | T1.5 | 10″ | 95 mm | 180 mm | 1.4 kg |
| 29 mm | T1.5 | 13″ | 95 mm | 180 mm | 1.6 kg |
| 35 mm | T1.5 | 13″ | 95 mm | 170 mm | 1.4 kg |
| 40 mm | T1.5 | 1’5″ | 95 mm | 150 mm | 1.5 kg |
| 50 mm | T1.5 | 1’6″ | 95 mm | 180 mm | 1.2 kg |
| 65 mm | T1.5 | 2′ | 95 mm | 170 mm | 1.6 kg |
| 85 mm | T1.5 | 2’9″ | 95 mm | 180 mm | 1.4 kg |
| 100 mm | T1.5 | 3’9″ | 95 mm | 150 mm | 1.6 kg |
| 135 mm | T1.5 | 4’6″ | 114 mm | 180 mm | 1.6 kg |
| 150 mm special edition | T1.8 | 5′ | 114 mm | 160 mm | 2.35 kg |
| Special 200 mm | T2.2 | 6’3″ | 114 mm | 180 mm | 2.95 kg |
Zeiss
Supreme Prime T1.5 PL
Product benefits
T1.5 usable in low light
Gradual transition from sharp to blurred
Optimized for VFX workflows
The ZEISS Supreme Prime series has been designed for large-format cinema, with total consistency across the entire range: coverage, colorimetry, aperture, ergonomics and rendering.
Covering Full Frame and beyond (FF+) thanks to a 46.3 mm image circle, these focal lengths offer a large T1.5 aperture, a smooth transition from sharp to blurred and a precise but never aggressive image, particularly flattering for flesh tones. Compact and lightweight, they fit perfectly into modern cinema workflows, including demanding VFX productions.
